Born in Munich as Friedrich Wilhelm Löcherer, Fred Williams studied to become a mechanical engineer but after being discovered by an Italian film producer in a bar in the swanky suburb of Schwabing he anglicised his name and started a career as an actor in Italian and European movies.
In Angelique et le roy/Angelique and the King (1966) Williams plays exiled Hungarian Prince Rakoczy who has assumed some kind of Robin Hood style role and saves Angelique (Michèle Mercier) from being raped by a Persian Bey.
Starting with El conde Drácula/Count Dracula (1970) where he played Jonathan Harker, good looking but somewhat uncharismatic Williams became one of Jess Franco’s regular stars in a series of his movies in the early to mid-1970s. Four of those were influenced by or may even be considered as the Krimi genre’s final breath and featured a number of the genre’s familiar faces: Der Teufel kam aus Akasava/The Devil Came from Akasava (1971), She Killed in Ecstasy (1971), Der Todesrächer von Soho/The Corpse Packs His Bags (1972) and the La venganza del doctor Mabuse/Dr. M schlägt zu (1972).
Williams seems to also have appeared in a number of the popular Italian photo-comics at the time, a topic for which he was interviewed for German TV station WDR in a 1973 documentary Einmal wirst auch Du mich lieben – Über die Bedeutung von Heftromanen.
His best known mainstream role was in the big budget war drama A Bridge Too Far (1977) where he appeared in a supporting role as an SS Officer.
I'm rather fond of The Devil Came from Akasava.
ReplyDeleteI haven't seen The Corpse Packs His Bags or La venganza del doctor Mabuse. I've seen so many Jess Franco movies but it's scary that there are lots I still haven't seen.
I have seen all of them but with some it was quite some time ago, I definitely need to rewatch AKASAVA as I barely remember it. So many Francos, so little time. I have definitely grown to like CORPSE quite a bit over the years. MABUSE is the weakest of the lot: very cheap looking and it doesn't even feature a lot of Mabuse.
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